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#HOW TO BOUNCE A WAV FILE IN PROTOOLS 12 FOR PLAYBACK IN CAR PRO#
#HOW TO BOUNCE A WAV FILE IN PROTOOLS 12 FOR PLAYBACK IN CAR FREE#

For a stereo mix using Pro Tools M-Powered 7 or Pro Tools LE 7, this simply means that you will need a stereo audio track or two mono audio tracks available. Recording to tracks requires that you have an available voiced track for each channel that you will be recording. This technique lets you add live input to the mix, adjusting volume, pan, mute, and other controls in real time during the mixdown process. To create a stereo mixdown (or submix) within Pro Tools, you can record any or all of your session tracks to an available stereo audio track. You can drag a bounced file into a track and place it at the same location as the original material using Spot mode.

Bounced material is automatically time-stamped.

If there is no selection in any track, Pro Tools will bounce the audible tracks in your session from the start of the session or from the playback cursor position to the end of the longest track in the session. If you have made a selection on the timeline (or on a track with edit and timeline selections linked), Pro Tools will bounce all audible tracks for the length of the selection only.

Pro Tools bounces tracks based on timeline selections.

Pay close attention to levels, being sure to avoid clipping. Listen closely to ensure that everything sounds as it should. Inserts, sends, and external effects are applied permanently to the bounced tracks, so make sure that you set levels carefully before bouncing tracks.

The bounced file will be a "flattened" version of your session.

You can use all available voices in your system when using the Bounce to Disk command, without requiring extra voiced tracks for recording the bounced file.

Pro Tools does not require extra voices to bounce to disk.

Any audio not assigned to that common output path will not appear in the bounce file. All source tracks for the bounce must be assigned to the same output path.

Pro Tools bounces tracks based on the output path.

If you have soloed any tracks or regions, only those soloed elements will appear in the bounce. Any tracks that are muted will not appear in the bounce. When you play back your session, all tracks that you hear are included in the bounce.

Pro Tools bounces all audible tracks in real time.

These principles apply both when bouncing to tracks and when bouncing to disk, unless otherwise noted.

Here are some specific details about how Pro Tools processes a bounce. Pro Tools, however, performs real-time bounces, capturing all audible information in your mix just as you hear it during playback. Likewise, some systems will not capture automation when bouncing to disk.

For example, some non–Pro Tools systems include only internal hard disk tracks when bouncing to disk and do not include any live or virtual tracks being brought into the system. Most digital audio workstations provide functions for mixing down or bouncing tracks however, not all systems approach the process the same way. Once you have created a stereo mix, you can play back the results outside of Pro Tools and share your composition with others by burning the file onto a CD. You can record your mix to audio tracks within your session or create an external recording using the Bounce to Disk command. The most common mixdown technique in Pro Tools is to mix down to a stereo file (or left and right mono files). Pro Tools mixdown can be done any time you want to bounce tracks or create a completed mix for use outside of your session. Mixdown is often the last phase of music production, but in

#HOW TO BOUNCE A WAV FILE IN PROTOOLS 12 FOR PLAYBACK IN CAR FREE#

This process is also often referred to as bouncing, which traditionally has been done to combine several tracks together to free up resources or reduce track count. Mixing down is the process of recording the output from multiple tracks to a stereo or multi-channel format. This article is an excerpt from the following book: Pro Tools 101 Official Courseware.